Includes bibliographical references and index.
|Statement||edited by Laurence Senelick.|
|LC Classifications||PN1590.S3 G46 1992|
|The Physical Object|
|Pagination||xxiv, 348 p. :|
|Number of Pages||348|
|LC Control Number||92011968|
This book offers an account of an unprecedented North American study of contemporary female and male strip shows. It particularly focuses on the contradictory sex roles, cultural positions, and performance practices of 'straight' strip shows during their second heyday in the early ine. The Routledge Reader in Gender and Performance presents the most influential and widely-known, critical work on gender and performing arts, together with exciting and provocative new writings. It provides systematically arranged articles to guide the reader from topic to topic, and specially linked articles by scholars and teachers to explain key issues and put the extracts in context. Gender in performance: the presentation of difference in the performing arts User Review - Not Available - Book Verdict "Gender is performance,'' declares editor Senelick in the introduction, and the best essays in this collection are those that challenge cultural assumptions about representations of gender in art and. The theory of ‘Gender Performance’ or ‘Gender Performativity’ was first coined in Judith Butler’s book titled Gender Trouble. Butler’s theories on gender identity and gender performativity were based on the notion of destabilizing gender identities and categories.
According to Butler, gender performance is only subversive because it is "the kind of effect that resists calculation”, which is to say that signification is multiplicitous, that the subject is unable to control it, and so subversion is always occurring and always unpredictable". Moya Lloyd suggests that the political potential of gender. Bornstein, a trans woman who finds gender deeply problematic, sums up this resistance nicely in her book title, Gender Outlaw: On Men, Women and the Rest of Us1. It is commonly argued that biological differences between males and females determine gender by causing enduring differences in capabilities and dispositions. Anything that you do to express your gender which is not innate but is the result of human cultural ideas of gender - you are "performing" your gender. Almost all gender expression is performed. That is to say, almost every way in which you comm. A content analysis of individual annual performance reviews shows that women were times more likely to receive critical In my forthcoming book on gender bias in .
In presenting the notion of gender as performance or gender performativity in her "Gender Trouble", Judith Butler holds that forced which operate on the subject create the illusion of heterosexual integrity, that is, the myth according to which someone who is born with certain genitals (e.g., a penis) forms a certain gender identity (e.g., a man) as has sexual desire which is directed . The performance review process can evolve to eliminate much of any existing gender bias. The more it moves away from the traditional annual performance review to more effective strategies such as crowdsource feedback and ratingless appraisals, the more likely that will happen. JUDITH BUTLER questions the belief that certain gendered behaviors are natural, illustrating the ways that one's learned performance of gendered behavior (what we commonly associate with femininity and masculinity) is an act of sorts, a performance, one that is imposed upon us by normative heterosexuality. Gender Performativity – Gender Performativity is a term created by post-structuralist feminist philosopher Judith Butler in her book Gender Trouble, which has subsequently been used in a variety of academic fields that describes how individuals participate in social constructions of gender.